Tag Archives: Michael Brown

Michael Brown’s a Time Instant Icon and Face of the Decade

Time Magazine

Michael D. Brown became the face of failure of the Bush Administration, the state and local governments of Louisiana to act fast, decisively and wisely in the face of Hurricane Katrina, a natural disaster beyond anyone’s comprehension.
Offered up as a sacrificial lamb by those seeking to blame a president who made it easy to be criticized, Mike Brown took his lumps humbly, and walked away to a new life.  Today, he has his own talk radio program, a new book coming out and is on the boards of several companies.  Mike has taken the lemons and made pitchers full of lemonade for himself and his family.

Time Magazine pays tribute to a man who “became famous overnight for the explosive public issues [he] represented. Caught up in forces larger than [him], [he] gave a human face to [a] confounding situation.”  Read about one of Time’s Six “Face of the Decade”.


Michael Brown

THEN: President George W. Bush’s appraisal of his performance in 2005 as head of the emergency response to Hurricane Katrina — “Brownie, you’re doing a heckuva job” — became a catchphrase for federal incompetence.

(Watch a video of Michael Brown discussing the lessons learned from the catastrophe.)

NOW: Brown hosts a talk-radio show on Denver’s KOA and is writing a book on crisis management. His take on the post-Katrina mess: “The chain of command began to break down … And I had to go around that to get to the White House to try to get things done.”

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Where’s Mohammed? Not in the Washington Post or the Denver Post. Shameful.

By Michael D. Brown

A museum in Loveland, Colorado (best known for stamping Valentine’s Day cards with their “Loveland” postmark) exhibited an Enrique Chagoya lithograph containing a picture of Jesus imposed on a female body with a man performing oral sex on the same figure.  People were outraged claiming a double standard.

Many were arguing the lithograph was pornographic.  Some were claiming it was anti-Christian.  But many were contending a publicly funded museum should not exhibit the art at taxpayer expense.  A few claimed it was art, and even if objectionable or reprehensible, should be displayed.  The Denver Post ran a story, Attacks on Art Troubling.

A crowbar-wielding truck driver from Montana eventually destroyed the lithograph.  She walked in late one afternoon and took the crowbar to the Plexiglas container and ripped apart the lithograph.  Some cheered, some guffawed, others thought she went too far.

But no one has expressed any outrage at the following story.  Let me start that outrage now.

I am an avid reader of newspapers, including the Washington Post, the Denver Post, Wall Street Journal, New York Times, and even your local newspaper if I’m in your town.  Comics?  I always read the comics.

Last Sunday I routinely downloaded the electronic version of the Denver Post, including the comics.  I read through everything as usual.  Something was missing, but I didn’t realize it until today.  The Washington Post alerted me to what was missing with this screaming headline:

Where was the ‘Where’s Muhammad?’ cartoon?

Political correctness has now run amok.  Muslims, Christians, Hindus, Shinto, Atheists, Agnostics, Jews, and members of the Church of Body Piercing should be outraged.

According to the Post’s ombudsman:

“Non Sequitur” is a popular comic that runs daily in about 800 newspapers, including this one. But the “Non Sequitur” cartoon that appeared in last Sunday’s Post was not the one creator Wiley Miller drew for that day.

Editors at The Post and many other papers pulled the cartoon and replaced it with one that had appeared previously. They were concerned it might offend and provoke some Post readers, especially Muslims.

Miller is known for social satire. But at first glance, the single-panel cartoon he drew for last Sunday seems benign. It is a bucolic scene imitating the best-selling children’s book “Where’s Waldo?” A grassy park is jammed with activity. Animals frolic. Children buy ice cream. Adults stroll and sunbathe. A caption reads: “Where’s Muhammad?”…

What is clever about last Sunday’s “Where’s Muhammad?” comic is that the prophet does not appear in it.

Here is the benign cartoon that did not appear in either the Washington Post or the Denver Post, and, perhaps, your local newspaper:

Are you offended?

If you’re Muslim, are you offended?

Frankly, I’m offended.

I’m offended the Washington Post and Denver Post are afraid someone might be offended by such a benign cartoon simply because it asks, “where’s Muhammad” when Muhammad doesn’t even appear in the cartoon.  That’s the point of the cartoon, you editorial wimps.

So Jesus appears in a bottle of urine by one artist and we’re told to accept it as art.  Christ appears receiving oral sex in a lithograph in Loveland, Colorado, and we’re told to be tolerant.  But let a cartoonist ask “Where’s Muhammad” and the politically correct editors, fearful of the radicals who behead those who dare make fun of Mohammed are frightened into rejecting the cartoon.

I fear living in a country without free speech.  I fear a country where government bureaucrats or elites determine what is proper speech.  I fear the threats of political correctness and its assault on the Constitution more than I fear Muslims who might be offended by this cartoon.

So, I am proud to offer you a chance to see speech hidden, censored and feared by the editors of the Washington Post, Denver Post and perhaps your newspaper.

Read it, relish it, hate it, love it.  I don’t care.  But at least accept that freedom of speech in this country is under attack, and not just by liberals, haters or others, but also by the press itself.

God save the United States of America from itself.


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This was reprinted with permission from Michael D. Brown’s website.

Michael D. Brown is a radio talk show host in Denver Colorado covering issues, politics and policies, is the former Undersecretary for Homeland Security under President George W. Bush, an attorney and business consultant.

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